Every single one of you, if you draw or paint, at least once was stuck - or will be - with this thought in your head: how should this body part/perspective/chiaroscuro be drawn correctly?
Some certain aspects of creating a picture and its composition make quite a challenge, especially (but really not only) for a beginner. This is where references come in handy. Written from a point of view of someone, who used to use them often and who does not anymore - almost at all.
The best and easiest when it comes to follow, storage and collect - photo references can be called without hesitation the most popular of this specification. On deviantART, you've got the amazing Resources & Stock Images category full of brilliant reference pictures - and there are deviants with accounts dedicated completely to providi
PE: Watercolour and saltWatercolour and salt
Watercolour painting provides us with fantastic possibilities to create various textures. They can be achieved in many different ways with use of many different side components and equipment - in this article, I'll focus on salt textures. It usually takes time to get a handle of it - like everything else - but the outcome is definitely worth it.
Water and pigment
The three factors that determine the effects are the amount of water, amount of pigment and amount of salt, with the two first being the harder part. The more water you use, the more time it takes for the paint to dry and the more time the salt has to work - therefore the pigment will be pushed further away and you'll get bigger, paler spots between darker pigment borders. Less water will get you smaller, star-like
Becoming a Better Digital Artist Pt. III
I've been asked many times about how to draw or paint and where to find tips and tutorials about it.
I, as a self-taught artist, have struggled a lot trying to learn and understand how to draw well and do digital painting. So I decided to put on a series of journals on this topic providing tips and resources, hoping that it can be useful for anyone who is willing to become an artist.
This series focuses mainly on digital art, but most of the principles can be applied to traditional art as well. This is not a training course, so please don't expect me to give you an in-depth look to it. Just take it as a collection of resources.
I have found most of what I've learned on YouTube and the internet, therefore I will provide many links to pages and channels related to what I'm talking about.
Part III: Tools
Here we are with the third part of this journal series.
This part will be dedicated to the tools you need f